Tagged: true blood

Adina Porter: The Newsroom, True Blood, and Motherhood

BY ANDREW FISH

Adina Porter | True Blood | The Newsroom
Adina Porter (photo by Nick Horne)
Juggling career and family is a lot easier when you love what you’re doing. Heading into its second season, HBO’s “The Newsroom” has been controversial since day one, and Adina Porter has been all the more thrilled to be involved as the sparks have flown. Best known for her intense portrayal of Lettie Mae Thornton, the manipulative, sanctimonious, emotionally abusive mother of Tara (Rutina Wesley) on the hot and sultry vampire saga “True Blood,” Porter is now happily dedicated to her “Newsroom” supporting character, Kendra James. Following frustrated Republican anchorman Will McAvoy (Jeff Daniels) as he wages media war on the Tea Party and its influence on the GOP, the Aaron Sorkin-created show has spawned prolific debate, with detractors and supporters generating pages of opposing opinions on the message boards — and it’s proving to be one of Porter’s all-time favorite projects, among the dozens she’s appeared on.

When we asked Porter which of her other recent TV roles we might take a look at before our meeting in Toluca Lake, she let us know that with two kids, she rarely watches her television work — besides “The Newsroom” — and has trouble keeping track of which shows she’s on. “Thank goodness for IMDB,” she wrote in an email. Her portfolio starts in the early ’90s and includes “Law & Order,” “Brooklyn South,” “Judging Amy,” “Crossing Jordan,” “NYPD Blue,” “ER,” “CSI,” “Prison Break,” “American Horror Story,” “Grey’s Anatomy,” “Glee,” and “The Vampire Diaries.” She appeared in The Peacemaker (1997) starring George Clooney and Nicole Kidman, and About Sunny (2011) alongside Lauren Ambrose. She was also featured in the HBO TV movies “Gia” (1998) with Angelina Jolie, and “Lackawanna Blues” (2005) with Macy Gray, Mos Def, Terrence Howard, and Louis Gossett Jr. Joining the dialogue about the importance of diversity in entertainment, she participated last year in an HBO-sponsored panel at the American Black Film Festival with Sufe Bradshaw (“VEEP”), Michael K. Williams (“The Wire”), Nelsan Ellis (“True Blood”), and JB Smoove (“Curb Your Enthusiasm”).

As a familiar on-screen face for two decades, Porter reflects on her niche as a guest star: “There’s a part of me that thought, really good actors become series regulars — and then ‘Newsroom’ came around and I thought, do I want to be a series regular on a show that pays the bills but people won’t be talking about years from now, or guest star on a show that I think people will be talking about years from now? I like being a guest star! It’s quite a muscle, having to prove yourself over and over again.”

Next up is a return to the supernatural backwaters of Bon Temps, where Porter will once again sink into the spiteful fury of “True Blood”‘s Lettie Mae and exorcize the stress that her dual life as mom and working professional inevitably brings. Here’s what transpires when we meet on a sunny spring morning.

Iconic Interview: Did you have any advantage in getting your role on “The Newsroom” because of your work with Aaron Sorkin on The Social Network?
Adina Porter: It was just a regular audition, except it was on camera at Sony Studios. None of the big shots were in the room; it was really low pressure. And then something like six weeks went by and I get a phone call from my manager saying, “It looks like you’re in the running for this.” I was like, great! It was [an audition] that you do and you forget about it. Then I’m told by my agents that [co-executive producer] Scott Rudin said, “I want Adina Porter. Why isn’t Adina Porter booked yet?” So they were like, “Okay, let’s book Adina Porter!” So that’s what happened and I’m really glad that Scott Rudin is a fan, and I don’t know if it was because of Social Network. Scott’s quite a theater person, so I think it’s because all the stuff I’ve done in my life has just added up to this!” Continue reading

The Wiccan of Bon Temps: True Blood’s Lauren Bowles

BY ANDREW FISH

Lauren Bowles
Photo © Daryl Henderson

Ever since True Blood hit the air, fans have fantasized about living in the fictional Louisiana town of Bon Temps, and once in a blue moon someone gets her wish. Lauren Bowles has gone from watching the supernatural mayhem from her living room couch to serving burgers at Merlotte’s and battling dark forces side by side with Sookie Stackhouse. A screen actress for some time now — with episodes on shows like Ally McBeal, NCIS, Arrested Development, Grey’s Anatomy, ER, Cold Case, and tons of others under her belt — Bowles has stepped up to series regular on one of her favorite shows and still can’t believe her luck.

She joined the cast of the HBO series in season three as Holly Cleary, the fair-haired Wiccan single mother, who tried to help fellow waitress Arlene rid herself of the unborn child she’d conceived with a serial killer. The spell didn’t work, but it set the stage for Holly’s pivotal role in season four, as she summoned the dead on Halloween night to spirit away the mad medium Marnie before she could kill vampires Eric and Bill.

Bowles is also often recognized for her role as the waitress on Seinfeld, which she landed with the help of her half-sister, Julia Louis-Drefuss. Bowles went on to appear with her big sis on Watching Ellie and The New Adventures of Old Christine, and was cast along with her husband, Patrick Fischler, on an episode of Curb Your Enthusiasm.

These days, the sparks are flying between her True Blood alter ego and Sheriff Andy. After a false start, the two ended up in bed together, got caught by her two teenage sons, and Andy’s bare bottom was posted on Facebook. Now they’re going steady — but what about Maurella, the fairy that Andy swore allegiance to before having sex with her in the woods? Nothing is ever simple in Bon Temps, and Bowles likes it that way.

I’ve read that you were a fan of True Blood long before you were cast on it. It must have been exciting to get the audition.

It was so surreal, because beyond just True Blood, I was kind of an Alan Ball fanatic. American Beauty really rocked my world in a way that no movie had up until that point, [and there was] Six Feet Under. So when I heard he was going to be in the room, I completely freaked out. I was like, oh, God! But I thought, this job’s too big [and] it’s going to go to a name, so my goal was like, okay, just don’t screw it up so that they bring you back for a guest spot. That’s really it; that was my attitude going in. [laughs] After the audition, by the time I got home, I got the call that I had gotten it. I don’t think I can remember the last time I was that shocked. I was over the moon but beyond shocked. It wasn’t within my realm of understanding that that could have ever happen.

You got the news as soon as you got home?

It was hilarious! I was just walking into my apartment; my mom was sitting with my then baby girl, who’s three now, and my manager called. I assumed he was just calling to see how [it went], and then he literally told me I booked it and I screamed, and my baby looked up and my mom looked at me. It was clearly a happy scream but they kind of looked a little startled and I was like, no, no it’s a good scream! And then all was good. It was wild. Wild!
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